Title of the article:

ART SYNTHESIS: COSTUME, TAPESTRY, ACCIDENTAL FONT AS EVENTIVITY FACTORS

Author(s):

Victor D. Uvarov

Margarita V. Reshetova

Igor S. Murashkin 

Information about the author/authors

Victor D. Uvarov — Honored Artist of the Russian Federation, DSc in Art, Professor, Plekhanov`s Russian University of Economics, Stremyanny per., 36, 117997 Moscow, Russia. E-mail: artuwaroff@yandex.ru

Margarita V. Reshetova — PhD in Art Нistory, Associate Professor, Head of Department of design, Moscow State Institute (University) of Culture, Bibliotechnaya St., 7, 141406 Khimki, Russia. E-mail: mio-margo@mail.ru

Igor S. Murashkin — Lecturer, A. N. Kosygin Russian State University (Technology. Design. Art), Sadovnicheskaya St., 33–1, 117997 Moscow, Russia. E-mail: inngvar@gmail.com

Section

History of Arts

Year

2018

Volume

Vol. 49

Pages

Рp. 268–276

Received

February 23, 2018

Date of publication

September 15, 2018

Index UDK

74.01/.09

Index BBK

85

Abstract

This paper studies synthetic language of carpet making, which absorbed specific Mid Asia technologies, European trends and native Russian folk techniques. Analysis of the genesis of tapestry decorative traditions, costume and accidental fonts is provided in terms of transformations of symbolic and aesthetic components from ancient Egypt and antique Greek-Roman culture till the present time. Design of the objects of the tapestry is based on the typology derived by V. D. Uvarov (types of “subordination”, “equality”, “counteraction”). The interconnection of tectonic characteristics of the interior architecture with the tapestry`s art form is carried out according to a number of principles, the most significant of which is the creation of an architectural form or tectonic structure that does not really exist in the interior, but of its virtual image; search for the illusion of a smooth flowing of spaces by means of destroying monumental forms of the interior architecture` tectonics. The author determines key function and bidirectionality of accidental graphic sign. On the one hand, it accommodates form creating lines and forms of surrounding objects, on the other all these lines and forms are used by creative imagination for generation of new artifacts. The latter generate cultural space, being one of the key elements of the system, maintaining national and cultural identity. 

Keywords

tapestry, costume and accidental font synthetic language, creative artifacts, transformation, form creation, house style, design (styling) education, native art culture.

References

1 Biriukova N. Iu. Frantsuzskie shpalery kontsa XV–XX veka v sobranii Ermitazha [French tapestries of the end of XV–XX centuries in the Hermitage collection]. Leningrad, Avrora Publ., 1974. 170 p. (In Russian)

2 Korshunova T. T., Iasinskaia I. M. Russkii shpalery. Peterburgskaia shpalernaia manufaktura [Russian tapestry. The St. Petersburg tapestry manufactory]. Leningrad, Khudozhnik RSFSR Publ., 1975. 270 p. (In Russian)

3 Kosenko N. V. Mir ideal'nogo i mir real'nogo v obraznoi sisteme shpalery [The ideal world and the real world in the imagery of the tapestries]. Abstract of dissertation candidate of Philosophy. Moscow, 2002. 177 p. (In Russian)

4 Kuzmichev V. Shrift Beresta [Font Beresta]. Fonts-online.ru. Available at: https://www.fonts-online.ru/font/Beresta2001 (accessed 01 June 2018). (In Russian)

5 Lechitskaia O. V. Koptskie tkani [Coptic textile]. Moscow, GMII im. A. S. Pushkina Publ. Katalog kollektsii., 2010. 416 p. (In Russian)

6 Mat'e M. E., Liapunova K. S. Khudozhestvennye tkani koptskogo Egipta [Artistic fabrics of Coptic Egypt]. Moscow, Leningrad, Iskusstvo Publ., 1951. 232 p. (In Russian)

7 Mikhailov I. A. Rannii Khaideger: mezhdu fenomenologiei i filosofiei zhizni [Early Heidegger: between phenomenology and philosophy of life]. Moscow, Progress — Traditsiia Publ., 1999. 284 p. (In Russian)

8 Murashkin I. Logotip Eko-fermy “Rodnik” [Logo Eco-farm “Rodnik”]. Inngvar.wixsite.com. Available at: http://inngvar.wixsite.com/portfolio/fs-students (accessed 01 June 2018). (In Russian)

9 Murashkin I. S. Shrift kak otrazhenie kul'turnogo genoma naroda [Font as a reflection of the cultural genome of the people]. Dekorativnoe iskusstvo i predmetno-prostranstvennaia sreda [Decorative art and object-spatial environment]. Vestnik MGKhPA/MGKhPA im. S. G. Stroganova, 2015, no 3, p. 385–401. (In Russian)

10 Reshetova M. V., Mazurina T. A. Kollazh v proektnoi kul'ture XX – nachale XXI vekov (na primere tovarnykh znakov) [Collage in the project culture of the XX – the beginning of the XXI centuries (through the example of trademarks) ]. Dekorativnoe iskusstvo i predmetno-prostranstvennaia sreda [Decorative art and object-spatial environment]. Vestnik MGKhPA/MGKhPA im. S. G. Stroganova, 2013, no 3,
pp. 223–236. (In Russian)

11 Uvarov V. D. Avtorskaia tapisseriia [Author's tapisseria]. Moscow, Izdatel'stvo MGTU im. A. N. Kosygina Publ., 2010. 326 p. (In Russian)

12 Uvarov V. D. Znaki i simvoly v iskusstve tapisserii [Signs and symbols in the art of tapisseria]. Moda i dizain: istoricheskii opyt — novye tekhnologii. Materialy 12-i mezhdunarodnoi nauchnoi konferentsii [Fashion and design: historical experience — new technologies. Proceedings of the 12th international scientific conference]. St. Petersburg, Izdatel'stvo SPGUDT Publ., 2009, pp. 291–298. (In Russian)

13 Uvarov V. D., Reshetova M.V., Murashkin I.S. Informatsionnyi vzryv i novye tekhnologii v prelomlenii garmonizuiushchikh sredstv dizaina (tapisseriia i aktsidentnyi shrift) [Information explosion and new technologies in design harmonizing instruments change (tapestry and accidental font) ]. Dizain i tekhnologii, 2017, no 62 (104), pp. 114–121. (In Russian)

14 Uvarov V. D. Problema esteticheskoi organizatsii predmetno-prostranstvennoi sredy inter'era [The problem of aesthetic organization of the subject-spatial environment of the interior]. Dekorativnoe iskusstvo i predmetno-prostranstvennaia sreda [Decorative art and object-spatial environment]. Vestnik MGKhPA/MGPKhA im. S. G. Stroganova, 2016, no 2, part 1, pp. 10–12. (In Russian)

15 Fasmer M. Shpalera [Tapestry]. Etimologicheskii slovar' russkogo iazyka: v 4 t. [Etymological dictionary of Russian language: in 4 vols.] St. Petersburg, Azbuka Publ., 1996. 573 p. (In Russian)

16 Khaideger M. Istok khudozhestvennogo tvoreniia [The source of the artistic creation], translated from Germany by A. V. Mikhailova. Moscow, Akademicheskii proekt Publ., 2008. 528 p. (In Russian)

PDF-file

Download

Illustrations