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Volume 55, 2020

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Theory and history of culture

LEBEDEV V. YU.
PRILUTSKIY A. M.

“Zoya`s standing” — semiotics of mythological narrative

FEDOROV R. YU.

Markers of ethnocultural identity in calendar ceremonialism of the Belarusian peasants-migrants

SHAPIRO B. L.

Military education of the Great Princes Nikolaevichs: tangible and intangible culture (Romanovs personal funds in SARF)

ROSTOVSKAYA T. K.
FOMINA S. N.
RODIN N. V.

Influence of the Russian orthodox Old believers church on the formation of Russian cultural heritage of Alaska

SHENDRIKOVA S. P.
KOZLOV M. N.

Theater arts in Crimea of the 19th – beginning of the 20th c.

KHRAMTSOV A. B.

The place of reading in the leisure of modern students (according to survey findings)

PEPELYAEVA S.V.
SHIZHENSKIY R.V.

Features of animalistic images` functioning in the art of representatives of the modern pagan movement

Philological sciences

PERVUSHIN M. V.

New old ideology: patriarch Iob and frightening beauty (some reflections on the life of Theodore Ioannovich

TRAVNIKOV S. V.
IYULSKAYA E. G.
PETRIVNYAYA E. K.

History and poetics of Dashkova`s comedy “Toisiokov, or the man of no character”

GASANOVA G. A. 

Reception of L. N. Tolstoy`s works in Azerbaijani novel

SAVELIEVA T. G. 

“The heart of a dog” of M. A. Bulgakov in the context of the Russian culture: religious and philosophical aspect

ZAYATS S. M.

Voloshin`s text at the junction of symbolism and neorealism

PUTILO O. O.

Alternative image of Russia in alternate history fiction

SHCHELOKOVA L. I.

The concept of “war” in the book “Spanish reports” by I. G. Ehrenburg

YUZEFOVICH I. V.

Rebel-hero in the context of I. E. Babel`s pros

FEDUNINA O. V.

Identity crisis of Soviet man in the socialist realist police story

History of Arts

PARFENTIEV N. P.

On the issue of origin of the imprintless gospel (second decade of the 17th century) in the context of activities of the drawing master Feodor Baso

MIKHAYLOVA S. I.

Formation of the image of the Mother of God “Joy of all who sorrow” in N. A. Koshelev`s church painting. Tradition and innovation

PESKOVA A. YU. 

Slovak theatre of the 1920s – 1930s in the context of European theatre

KRYLOVA V. K.

The theme of “faith” and “unbelief” on stage and in life in the context of revolutionary transformations

MIKHEEVA Yu. V.

Spiritual music in dramaturgical structure of the modern Russian film

RUTSINSKAYA I. I.

Vualizing simulacra: congresses of the Stalin era in Soviet painting

BESCHASTNOV N. P.
RYBAULINA I. V.
DEMBITSKAYA A. S.

From popular arts to decorative and applied arts of the folklore direction: modern experience and ways of development

ZYRINA M. A.
DEMBICH N. D.
GRIAZEVA I. V.
KAZAKOVA N. U.

Visual perception of urban environment in the context of modern costume

Reviews

MELNIKOV G. P.

Book review: Pánková M. Jan Amos Komenský in Czech and world fine Art (1642–2016). Prague: Academia, National pedagogical museum and library J. A. Komenského, 2017. 267 p.

SAMORODNITSKAYA E. I.

Gogol`s mosaic: review of the book “N. V. Gogol. Materials and research. Moscow, IWL RAS Publ., 2019. Issue 4. 408 p.

Samorodnitskaya
Melnikov
Zyrina
Beschastnov
Rutsinskaya
Mikheeva
Кrylova
Peskova
Mikhaylova
Parfentiev
Fedunina
Yuzefovich
Shchelokova
Putilo
Zayats
Savelyeva
Gasanova
Travnikov
Pervushin
Pepelyaeva
Khramtsov
Shendrikova
Rostovskaya
Shapiro
Fedorov
Lebedev