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Title of the article: |
DEVELOPMENT OF PRINTED PATTERN DESIGN CULTURE IN RUSSIA OF THE 18th–19th CENTURIES BY THE EXAMPLE OF “TRYOKHGORNAYA MANUFACTORY” |
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Author(s): |
Maria V. Gromova Еkaterina V. Morozova |
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Information about the author/authors |
Maria V. Gromova — Senior Lecturer, A. N. Kosygin Russian State University, Sadovnicheskaya St. 33, build. 1, 117997 Moscow, Russia. E-mail: gromova33255@gmail.com. Ekaterina V. Morozova — PhD in Arts, Associate Professor, A. N. Kosygin Russian State University, Sadovnicheskaya St. 33, build. 1, 117997 Moscow, Russia. E-mail: morosowa8888@rambler.ru. |
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Section |
History of Arts |
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Year |
2019 |
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Volume |
Vol. 51 |
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Pages |
pp. 224–230 |
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Received |
October 25, 2018 |
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Date of publication |
March 28, 2019 |
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Index UDK |
74.03/.09 |
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Index BBK |
85.153(2)5 |
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Abstract |
Basing on the example of one of the oldest Moscow factories “Trekhgornaya manufactory” the paper studies the features of formation and development of professional designing of artistic printed textiles in Russia in the transition from handicraft to manufactory and factory stages of production. The production of printed textiles was a well-tuned industry in Western Europe as early as by the end of the 17th century, so that creating designs for textiles was already a professional engagement. At the turn of 18th–19th centuries in Russia the process of transition from the archaic artisanal principles to the new foundations of enterprise organization is just beginning. In an effort to increase the competitiveness of production, owners of factories in the early nineteenth century are beginning to adopt the working methods of Western companies. Seeing the need for competitive staff, the owner of the “Trekhgornaya manufactory” V. Prokhorov opens a school for gifted children. Along with traditional canonical patterns the enterprise introduces compositions of its own. The experience of the Prokhorovka manufactory attests to the competitiveness of domestic production at the foreign markets and high quality of its designs. |
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Keywords |
printed cloth, drawing matter, canonical design pattern, visual training, development of project creativity, competitiveness. |
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References |
1 Beschastnov N. P., Zhuravleva T. A. Khudozhestvennoe proektirovanie tekstil'nogo pechatnogo risunka: ucheb. posobie [Art printed textile design: manual]. Moscow, Izdatel'stvo MGTU im. A. N. Kosygina Publ., 2003. 292 p. (In Russian) 2 Yemel'ianovich I. I., Beschastnov N. P. Pechatnyi risunok na tkani (problemy graficheskoi organizatsii [Textile printing (issues of graphic structure) ]. Moscow, Legprombytizdat Publ., 1990. 224 p. (In Russian) 3 Beschastnov N. P. Rossiyskaia shkola podgotovki khudozhnikov dlia tekstil’noi i liogkoi promyshlennosti. Stanovlenie i razvitie [Russian school of artists’ training for textile and light industry. Formation and development]. Moscow, Izdatel'stvo MGTU im. A. N. Kosygina Publ., 2005. 126 p. (In Russian) 4 Materialy k istorii Prokhorovskoi Trekhgornoi manufaktury i torgovo-promyshlennoi deiatel'nosti sem'i Prokhorovykh. Gody 1799–1915. Istoriko-statisticheskii ocherk [Materials to the history of the Prokhorov Trekhgornaya manufacture, trading and industrial activities of the Prokhorovs family. 1799–1915. Historical and statistical essay]. Moscow, Tovarishchestvo tipografii A. I. Mamontova Publ., 1916. 463 p. (In Russian) 5 Ul’ianova G. N. Dinastiia [Dynasty]. Russkii mir.ru, 2016, no 2, pp. 30–35. (In Russian) |
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