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Title of the article: |
ANALYSIS OF THE USE OF THE SYMBOL “BIRD” IN COSTUME DESIGN OF FASHION COLLECTIONS 2009–2019 |
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Author(s): |
Elizaveta D. Lakizenko Tatiana L. Makarova |
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Information about the author/authors |
Elizaveta D. Lakizenko — master in design, A. N. Kosygin Russian State University (Technologies. Design. Art), Sadovnicheskaya St., 33, build. 1, 117997 Moscow, Russia. E-mail: tambria@mail.ru Tatiana L. Makarova — DSc in Arts, professor, A. N. Kosygin Russian State University (Technologies. Design. Art), Sadovnicheskaya Sr., 33, build. 1, 117997 Moscow, Russia. ORCID ID: https://orcid.org/0000-0002-5251-3225. E-mail: 2710tlm@list.ru |
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Section |
History of Arts |
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Year |
2020 |
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Volume |
Vol. 57 |
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Pages |
pp. 282-292 |
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Received |
November 13, 2019 |
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Date of publication |
September 28, 2020 |
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DOI: |
https://doi.org/10.37816/2073-9567-2020-57-282-292 |
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Index UDK |
7.045 |
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Index BBK |
85.126 |
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Abstract |
The article considers main values of the ambivalent image of “bird” and presents its comprehensive study exemplified in the collections of leading fashion houses of 2009–2019. The main species of birds, to which designers give their preference, have been identified. The symbol of “bird” has become widespread in mythology and is rightly considered one of the most mystical and ancient. The image of the bird is also widely represented in symbols and emblematics, most often seen as a welcome and fortunate symbol, associated for the most part with air environment, freedom, ease, connection with creator. Depending on the species, the symbol may have different interpretations. In the design of the costume, the symbol “bird” has experienced evolutionary changes over the past 10 years. From direct interpretation and use of real feathers designers move to associative techniques: unobtrusive applications, air, translucent fabrics, light pliers and abundance of folds. The symbol “bird” is read both in whole images and in details, accessories that complement it. The results of the study are used in the master 's thesis dedicated to the use of fabulous symbols in the costume. |
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Keywords |
collections of designers, design of clothes, fashion design, fairy-tale symbols, “Bird” symbol. |
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References |
1 Butyrkina I. S., Evstigneeva M. V. Poeticheskie obrazy ptitsy nochi i ptitsy utra v poezii angliiskogo romantizma [Poetical images of the night bird and the morning bird in the poetry of English romanticism]. Vestnik Udmurtskogo Universtiteta im. I. Kanta. Series: Filologiia, pedagogika, psikhologiia, 2018, no 4, pp. 53–63. (In Russian) 2 Kirlo Kh. Slovar' simvolov. 1000 statei o vazhneishikh poniatiiakh religii, literatury, arkhitektury, istorii [Dictionary of symbols. 1000 articles about the most important concepts of religion, literature, architecture, history]. Moscow, Tsentrpoligraf Publ., 2010. 525 p. (In Russian) 3 Mify narodov mira [Myths of the peoples of the world]. In: Geroi skazok i mifov [Heroes of fairy tales and myths]. Available at: http://www.mifinarodov.com/geroi-skazok-i-mifov/index.php (accessed 10 September 2019). (In Russian) 4 Polozok M. A., Makarova T. L., Makarov S. L. Goticheskie obrazy i simvoly v dizaine sovremennogo kostiuma [Gothic images and symbols in the design of modern costume]. Moscow, Izdatel'stvo RIO RGU im. A. N. Kosygina Publ., 2017. 258 p. (In Russian) |
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