Title of the article:

PHENOMENON OF MEMORY IN THE WORKS OF MILAN KUNDERA (BY THE EXAMPLE OF THE NOVELS “THE JOKE”, “THE BOOK OF LAUGHTER AND FORGETTING” AND COLLECTIONS OF ESSAYS “ENCOUNTER”, “THE CURTAIN”)

Author(s):

Oksana A. Zapeka, Lyudmila V. Phenomenova

Information about the author/authors

Oksana A. Zapeka — PhD in Philosophy, Head of the Department of Slavic Studies and Cultural Studies, Institute of Slavic Culture, A.N. Kosygin Russian State University (Technologies. Design. Art), Khibinsky Pass. 6, 129227 Moscow, Russia.
E-mail: zana5@yandex.ru

Lyudmila V. Phenomenova — Undergraduate Student, Center for Interdisciplinary Studies of the Library of Foreign Literature, Nikoloyamskaya St. 1, 109240 Moscow,
Russia; Undergraduate, Higher School of Economics, Pokrovsky Blvd. 11, 109028 Moscow, Russia.
E-mail: fenomenoval@gmail.com

Section

Theory and history of culture

Year

2024

Volume

Vol. 74

Pages

pp. 35–47

Received

April 15, 2024

Approved after reviewing

June 1, 2024

Date of publication

December 29, 2024

DOI:

https://doi.org/10.37816/2073-9567-2024-74-35-47

Index UDK

130.2

Index BBK

71.07

Abstract

The issues of individual and collective memory keep attracting the attention of the variety of humanities` researchers for the past decades. As argued Marice Halbwachs, collective memory represents a key condition of the very existing and surviving of the social medium. Differentiating of the memory on two types determines the division of the fields of study, focusing on a given individual or collective respectively. We believe it possible, by means of the non-fiction literature and essays, to trace how the past affects the individual in present and how the individual, through his actions and memories is able to inform the reception and representations of the past. Hayden White whose ideas are quite provocative, suggests to tell “historical past” (as a field of studies of the historians) and “practical past” (thriving in literature, poetry and drama) apart. The works of the Czech and French writer Milan Kundera allows to examine the artwork as a kind of learning ground for studying individual memory and its connections with identity, as well as for exploring collective memory, which rests upon the “practical past”, experienced as an integral part of one`s self. Kundera`s novels use to intertwine characters` private life events with the historical events, essential for the fates of individual persons and the ones of many peoples. Kundera`s works are full of insights into the issues of individual memory and its links with identity, as well as of reflections on how the historical event are perceived and experienced, and later memorized by a person. For Kundera his country`s historical perception is indissociable from individual and collective memory, which is why he sees the very work of the historian as a preservation of this collective memory: to study how the past is perceived, is as indispensable as to study specific facts and evidences.

Keywords

Collective Memory, Halbwachs, Individual Memory, Kundera, White, Novel, Assmann, Essays, Identity, Personality, Cultural Values, “Practical Past”, “The Joke”, “The Book of Laughter and Forgetting”, “The Curtain”, “Encounter”.

Reference

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