Title of the article: |
RUSSIAN PROVINCE IN ALENA DERGILEVA’S GRAPHICS: CREATIVE SEARCH IN THE CONTEXT OF TIME |
Author(s): |
Nikolay P. Beschastnov Evdokia N. Dergileva |
Information about the author/authors |
Nikolay P. Beschastnov — DSc in Arts, Professor, A. N. Kosygin Russian State University, Sadovnicheskaya St. 33, build. 1, 117997 Moscow, Russia. E-mail: npb.art@mail.ru Evdokia N. Dergileva — PhD in Arts, Senior Lecturer, A. N. Kosygin Russian State University, Sadovnicheskaya St. 33, build. 1, 117997 Moscow, Russia. E-mail: dysua@mail.ru |
Section |
History of Arts |
Year |
2019 |
Volume |
Vol. 51 |
Pages |
pp. 289–302 |
Received |
May 04, 2018 |
Date of publication |
March 28, 2019 |
Index UDK |
76.01 |
Index BBK |
85.153(2)75 |
Abstract |
The article explores (замена на looks at )the works of modern Russian artist Alena Dergileva (Elena Dergileva), which reflect the life of Russian province of the last third of the 20th and first decades of the 21th centuries. Alena is the author of more than six hundred of works in various genres of fine art. More than two hundred and fifty of which are pictures of small towns and villages of the European part of Russia. The author analyzes the works of A. Dergileva in the context of development of domestic Russian art of this period. Trends in the development of this period of art are expressed in addressing to the artistic heritage and in the search for new forms and methods of figurative expressions. The topic is presented in chronological order, which makes it possible to understand its temporal context. The paper provides a cultural description of the drawings, etchings and watercolors the artist created in the late 1970s in the creative trips to Vologda, Kostroma, Nizhniy Novgorod, Velikiy Novgorod, Gorodets, Krutets, Palekh, Mstera and Kholuy within groups of Moscow artists. The views of such ancient cities as Zaraysk, Arzamas, Yuriev-Polish, Kashin and Pereslavl-Zalessky are Dergileva`s favorites. She devoted a series of three-dimensional graphic compositions to these cities lives. Since the early 2000s, the artist has been working in watercolor depicting the life of Moscow-area towns. The study of the arsenal of artistic means of expression used by Dergileva offers a possibility to see a gradual increase of the environment`s value. It becomes not only a context, but also a text. Externally, the clear form of storytelling takes on a layered filling characteristic of modern art. These changes in creativity, consonant with the times, allow us to acknowledge the depth of the search and popularity of the artist. |
Keywords |
Alyona Dergileva, province, graphics, etching, watercolor, Russia, small towns. |
References |
1 Gerchuk Iu. Moskva i Zaraisk v grafike Aleny Dergilevoi: khudozhestvennyi kalendar' na 2016 god s reprodutsirovaniem 12 ofortov i akvarelei [Moscow and Zaraysk in the graphic works of Alena Dergileva: art calendar for 2016 with reproductions of 12 etchings and watercolors]. Moscow, Print-Up Publ., 2015. (In Russian) 2 Derbusheva L. Molodezhi Nechernozem'ia posviashchaetsia [To the youth of non-black earth area]. Sovetskaia kul'tura, 1980, 11 April, p. 3. (In Russian) 3 Dergileva A. I. Plenitel'naia skazka Severa [Enchanting tale of the North]. Student-tekstil'shchik, 1975, 23 October, p. 2. (In Russian) 4 Dergileva A. I., Beschastnov N. P. Uchebnye ekspeditsii studentov [Educational expeditions of students]. Dekorativnoe iskusstvo SSSR, 1975, no 10, p. 53. (In Russian) 5 Dergileva A. I. V gorode Kashine pobyvala moskovskaia khudozhnitsa Alena Dergileva [Moscow artist Alena Dergileva has visited the city of Kashin]. Rossiia, 1991, 29 June – 3 July, p. 3. (In Russian) 6 Dergileva A. I. Zima. Vospominanie o lete [Winter. Memories of summer]. Rossiia, 1992, 22–28 January, p. 7. (In Russian) 7 Dergileva A. I. Moskva: domashnii al'bom [Moscow: home album]. Moscow, Izdatel'stvo Memories Publ., 2011. 168 s. (In Russian) 8 Dergileva A. I. Narisovannaia Moskva (s vstupitel'noi stat'ei N. P. Beschastnova) [Hand drawn Moscow (with introductory article by N. P. Bestchastnov) ]. Moscow, Izdatel'stvo KONTAKT-Kul'tura Publ., 2017. 264 p. (In Russian) 9 Dergileva A. I. Peizazh s natury v tekhnike krashennogo akvarel'iu oforta [Landscape from nature in the technique of watercolor painted etching]. Khudozhestvennyi sovet, 2004, no 4, pp. 39–41. (In Russian) 10 Beschastnov N. P. Zaraisk v akvareliakh Aleny Dergilevoi: khudozhestvennyi kalendar' na 2017 god s reprodutsirovaniem 12 akvarelei [Zaraysk in watercolors of Alena Dergileva: art calendar for 2017 with reproductions of 12 watercolors]. Moscow, Print-Up Publ., 2016, pp. 1–3. (In Russian) 11 Beschastnov N. P. Zaraisk v grafike Aleny Dergilevoi: nabor khudozhestvennykh otkrytok s reprodutsirovaniem 18 akvarelei [Zaraysk in the graphic works of Alena Dergileva: a set of art postcards with reproductions of 18 watercolor drawings]. Moscow, Print-Up Publ., 2016, pp. 1–3. (In Russian) 12 Beschastnov N. P. Magiia portreta. Katalog personal'noi vystavki Aleny Dergilevoi [Portrait`s magic. Catalog of solo exhibition by Alena Dergileva]. Moscow, Dom grafiki im. D. A. Rovinskogo Publ., 2009. 40 p. (In Russian) 13 Pogodin V. Novye raboty, novye imena. Zametki s vystavki rabot molodykh khudozhnikov [New works, new names. Notes from the exhibition of young artists]. Vecherniaia Moskva, 1978, 9 July, p. 3. (In Russian) 14 Seriia knig “Dorogi k prekrasnomu” [A series of books “Roads to the beautiful”]. Moscow, Iskusstvo Publ., 1967–1995. Vol. 1–76. (In Russian) 15 Uspenskii B. Katalog 1-oi Vserossiiskoi vystavki stankovoi grafiki [Catalogue of the 1st all-Russian exhibition of easel graphics]. Moscow, Izd-vo Sovetskii khudozhnik Publ., 1986. 60 p. (In Russian) 16 Shchegolev O. Khudozhnik vernulsia iz komandirovki [The artist has returned from a business trip]. Moskovskii khudozhnik, 1977, 1 September, p. 1. (In Russian) 17 Shcherbatov S. A. Khudozhnik v ushedshei Moskve [The artist in bygone Moscow]. Moscow, Izdatel'skii dom XXI vek — Soglasie Publ., 2000. 464 p. (In Russian) |
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