Title of the article:

LINGUISTIC ANALYSIS OF THE POEM “BLACK MAN” BY S.A. ESENIN: INTERNAL STRUCTURE AND READING CONTEXT

Author(s):

Buzinov, L.M., Zhuravleva, D.A.

Information about the author/authors

Lyudmila M. Buzinova, PhD in Philology, Associate Professor, Head of the Department of Linguistics and Intercultural Communication, Moscow International University, Leningradsky Ave., 17, 125040 Moscow, Russia.
ORCID ID: https://orcid.org/0000‑0002‑2721‑3482
E-mail: rluda@mail.ru 

Darya A. Zhuravleva, Member of Interim Scientific and Practical Group.
E-mail: dashaju_u@mail.ru

Section

Philological sciences

Year

2024

Volume

Vol. 73

Pages

pp. 209–221

Received

August 01, 2023

Approved after reviewing

March 20, 2024

Date of publication

September 25, 2024

DOI:

https://doi.org/10.37816/2073-9567-2024-73-209-221

Index UDK

81‑119

Index BBK

80

Abstract

The paper is to study the linguistic potential of a poetic text by the example of S.A. Yesenin’s poem “The Black Man.” The poetic text is considered as a multidimensional structure, the main feature of which is its unity, namely the interaction of all its components (sound and syntactic organization of the text, variability and versatility of the use of lexical meanings). The authors look at the poetic text as a complex interdependent structure, which characterizes the relationship between the phonological, syntactic and lexical organizations of the text. Each level of language or their close interaction can be dominant in the formation of the main idea of the work. The sound side directly affects the form and content, giving the work of S.A. Yesenin the necessary meaning and tonality. Phonetic stylistic techniques create a certain mood: assonance and alliteration. In order to evoke painful and gloomy feelings in the reader, epithets with negative stylistic coloring, metaphors, contextual antonyms, personifications and comparisons are used at the lexical level. As for the syntactic means of expression, the main techniques in this case are refrains, inversion, silence, exclamation and rhetorical question. Thus, the proposed format of the analysis of the poetic text allows you to more clearly reveal the drama of the main idea and feel a special gloomy atmosphere that affects the emotional and psychological perception of the poem by the reader.

Keywords

Poetry, Poetic Content, Language Levels, Language Structure, Phonology, Vocabulary, Stylistics.

Reference

1 Arnol’d, I.V. Stilistika. Sovremennyi angliiskii iazyk: uchebnik [ Stylistics. Modern English: Textbook]. Moscow, Flinta Publ., Nauka Publ., 2004. 384 p. (In Russ.) 

2 Buzinova, L.M. “Kontsepty “DUSHA” i “SUD’BA” v russkoi lingvokul’ture” [“Concepts of “SOUL” and “DESTINY” in Russian Linguoculture”]. Vestnik slavianskikh kul’tur, no. 52, 2019, pp. 65‑72. (In Russ.) 

3 Buzinova, L.M. “Frazeologicheskie osobennosti frantsuzskoi pedagogicheskoi kommunikatsii” [“Phraseological Features of the French Pedagogical Communication”]. Vestnik Moskovskogo gorodskogo pedagogicheskogo universiteta, Series: Filologiia. Teoriia iazyka. Iazykovoe obrazovanie [Philology. Theory of Language. Language Education], no. 4 (32), 2018, pp. 78–85. (In Russ.) 

4 Buzinova, L.M. Iazykovaia identichnost’: rossiiskii i nemetskii prepodavatel’ [Linguistic Identity: Russian and German Teacher]. Moscow, Sputnik+ Publ., 2020. 223 p. (In Russ.) 

5 Vinogradov, V.V. “Stilistika. Teoriia poeticheskoi rechi. Poetika” [“Stylistics. Theory of Poetic Speech. Poetics”]. Google Knigi. Available at: http://books.e-heritage.ru/ book/10093525 (data obrashcheniia: 02.01.2022) (In Russ.) 

6 Vorivoda, I.P. Cbornik zhargonnyh slov i vyrazhenii, upotrebljaemyh v ustnoi i pis’mennoi rechi prestupnym jelementom [A Collection of Slang Words and Expressions used orally and in writing by the Criminal Element]. Alma-Ata (jelektronnoe izdanie). 1971. 106 p. (In Russ.) 

7 Voronova, O.E. “O dramaticheskoi prirode poemy S. A. Esenina “Chernyi chelovek”” [“About the Dramatic Nature of S. A. Yesenin”s Poem “The Black Man””]. Sovremennoe eseninovedenie, no. 4, 2006, pp. 119–123. (In Russ.) 

8 Voronova, O.E. “Zhanrovaia sistema liriki S. A. Esenina: entsiklopedicheskii aspect” [“The Genre System of S. A. Yesenin”s Lyrics: an Encyclopedic Aspect”]. Biografiia i tvorchestvo Sergeia Esenina v entsiklopedicheskom formate: sbornik nauchnykh trududov po materialam Mezhdunarodnoi nauchnoi konferentsii, posviashchennoi 116letiiu so dnia rozhdeniia S.A. Esenina [ Biography and Creativity of Sergey Esenin in Encyclopaedic Format: Collection of Scientific Works on the Proceedings of International Scientific Conference, Dedicated to the 116th Anniversary of the Birth of S.A. Esenin], ex. ed. O.E. Voronova, N.I. Shubnikova-Guseva; and other. Riazan’, the Moscow State Museum of Sergey Yesenin Publ., 2012, pp. 32–45. (In Russ.) 

9 Zhirmunskii, V.M. Vvedenie v literaturovedenie: kurs lektsii [Introduction to Literary Criticism]. Moscow, Lenand Publ., 2016. 464 p. (In Russ.) 

10 Kazarin, Iu. V. Poeticheskii tekst kak Sistema [Poetic Text as a System]. Ekaterinburg, Ural Publ., 1999. 260 p. (In Russ.) 

11 Paramonova, L.Ju. “Oppozicia chernogo i belogo kak simvolika zhizni i smerti v russkom simvolizme” [“Opposition of Black and White as a Symbolism of Life and Death in Russian Symbolism”.] // Vestnik Leningradskogo gosudarstvennogo universiteta im. A.S. Pushkina. vol. 1, no. 3, 2014, pp. 31–38. (In Russ.) 

12 Razinov, Ju. A. “Simvolika perekrestka” [“Symbolism of the intersection”] // Vestnik Samarskoj gumanitarnoj akademii. Filosofija. Filologija. Publ., 2010, no. 1 (7), pp. 123‑130. (In Russ.) 

13 Rogov, V.V. “Chto nuzhno znat’ perevodchiku o nekotorykh osobennostiakh angliiskogo stikhoslozheniia” [“What a Translator Needs to Know about Some Features of English Versification”]. Russkii iazyk. No. 31. 2001. Available at: https://rus. 1sept.ru/article. php?ID=200103102 (Accessed 02 January 2022). (In Russ.) 

14 Sviridov, S.V. ““Bessmyslennaja” metafora Esenina na fone tekstov i metatekstov imazhinizma” [“Esenin”s “Meaningless” Metaphor against the Background of Imagism Texts and Metatexts”] // Baltijskii filologicheskii kur’er. no. 4, 2004, pp. 125‑136. Available at: https://www.elibrary.ru/item. asp?id=20658085 (Accessed 01 October 2024). (In Russ.) 

15 Fedotov, O.I. Osnovy teorii literatury: v 2 ch. [Fundamentals of the Theory of literature: in 2 parts]. Moscow, VLADOS Publ., 2003. Part 2: Stikhoslozhenie i literaturnyi protsess [Poetry and the Literary Process]. 240 p. (In Russ.) 

16 Fesenko, E.Ia. Teoriia literatury [Theory of Literature]. Moscow, Akademicheskii Proekt Publ., Fond ‘Mir’ Publ., 2008. 780 p. (In Russ.) 

17 Etkind, E.G. Poeziia i perevod [Poetry and Translation]. Leningrad, Sovetskii pisatel’ Publ., 1963. 431 p. (In Russ.) 

18 Bär, Gerald “Doppelgänger in der Literatur. Über die literarische Verarbeitung von Spaltungsphantasien und deren gesellschaftliche und individuelle Voraussetzungen”. Runa. Revista portuguesa de estudos germanísticos Verlag Publ., 1997‑98, no. (27), S. 195‑226. (In German) 

19 Hasty, Christopher “Meter as Rhythm.” Horlacher. Available at: https:// www.esm.rochester.edu/integral/wpcontent/uploads/2019/06/INTEGRAL_11_horlacher. pdf (Accessed 13 January 2022).

PDF-file

Download