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Volume 54
2020
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2024
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Volume 54, 2019

Theory and history of culture

POPOVKIN A. V.
POPOVKINA G. S.

Axiological aspects of health, illness and death in the spiritual traditions of Russia and China

KOZAREZOVA O. O.

The influence of spiritual tradition of hesychasm on the icon painting of Theophanes the Greek

ZAPEKA O. A.
BERESNEVA Z. A.

Dialogue of cultures in the context of the Russian literary travel

MURASHOVA N. S.

The role of spiritual verse in preserving the cultural identity of Old Believers

YAKUNIN V. N.

Orthodoxy in the history of pre-revolutionary Stavropol-Togliatti

SHAVIALIOU D. L.
MANTSEVICH L. N.

The Orient, Palestine and the Holy Land in political and public discourse in Belarusian provinces of the Russian Empire in the 19th – early 20th centuries (an outline of an issue)

VALITOV A. A.

The image of Palestine on the pages of the diocesan periodical press of Siberia in the late 19th – early 20th centuries

EREMIN A. V. 

Orthodox dominants of Russian culture in the era of globalization at the turn of the 21st century: experience of transdiciplinary research

ZLOTNIKOVA T. S.

On provinciality of Russian self-consciousness: Philosophical tradition and actual mass perceptions

GUBANOV N. I.
GUBANOV N. N.

Mental responses to the risk occurrence in modern society

SINCHUK S. D.

Zoomorphic image in the architecture of northern Russian log hut: semantic reconstruction based on folk culture
Philological sciences

KRAYUSHKINA T. V.

The folk song “Transvaal” in Russian prose of the 1920s. in the 20th – early 21st c.

DUDAREVA M. A.

Folk reality in the novel of Bunin “Life of Arsenyev”

POLYAKOVA O. A.

The model of national and poetic appositive combinations in the poem-fairytale by M. Tsvetaeva “The Swain” (“Molodets”)

VINOGRADOV I. A.

Y. F. Samarin as an unknown addressee from “Selected passages from correspondence with friends” by N. V. Gogol. To the 200th anniversary of the Slavophil thinker

AGRATIN A. E. 

Threats of institutional communication in Chekhov’s fictional world (as exemplified by his works of 1880–1887’s): experience of interdisciplinary research

IVANOVA E. V.

Modernism, symbolism and the emergence of literary schools in the Russian literature of the 20th c.

SHEVCHUK Y. V.

The tragic irony in the “Folders” of I. F. Annensky

KHOREVA L. G.

Buddhist and ancient mythologems in the works of V. Pelevin as a reflection of the modern picture of the world
History of Arts

KAPLUN M. V.

The Chorina comedy and Hôtel de Bourgogne (theatre): features of the repertoir and scenography

CHVALA A. L.

The earth in the Nevyansk icon-painting as an attributive feature

LUSHNIKOVA E. N.

Elegy in the Russian singers` repertoire as a form of expression of national mentality

BALAKHNINA L. V.

Possibility of reconstruction of female S-shaped costume of provincial Tobolsk in the end of 19th – early 20th century

VOLKODAEVA I. B.
MOMOT S. I.

Features of the formation of monumental decors in the estate architecture of the 18th–20th centuries

UVAROV V. D.
VOYAKINA A. S.

Tapestry in public interiors as exemplified by the works of the Russian masters

BASTOV G. A.
KOROLEVA A. N.

Figurative and associative design as a factor of synectic form generation in art and design

MAKAROVA T. L.
MAKAROV S. L.

Study of the Symbol System of Costume (SSC) of Russian Style Designer Collections of 2016 and application of its Results for Database Development

BELGORODSKY V. S.
YAKOVLEVA L. E.
PETUSHKOVA T. A. 

Global world — global design: to the issue of preservation of national and cultural identity
Reviews

UZENEVA E. S.

Z. Barbolova, M. Simeonova, M. Kitanova, P. Legurska. Dictionary of the Bulgarian folk spiritual culture. Sofia, 2018. 504 s. ISBN 978-954-02-0337-9 [Review]

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