Title of the article: |
“OVERCOMING SYMBOLISM”: IRONY IN ANNA AKHMATOVA’S LYRICS IN THE FIRST HALF OF THE 1910s |
Author(s): |
Yulia V. Shevchuk |
Information about the author/authors |
Yulia V. Shevchuk — DSc in Philology, Leading Research Fellow, А. M. Gorky Institute of World Literature of the Russian Academy of Sciences, Povarskaya 25 а, 121069 Moscow, Russia. |
Section |
Philological sciences |
Year |
2023 |
Volume |
Vol. 70 |
Pages |
pp. 261–275 |
Received |
January 28, 2023 |
Approved after reviewing |
February 24, 2023 |
Date of publication |
December 25, 2023 |
DOI: |
https://doi.org/10.37816/2073-9567-2023-70-261-275 |
Index UDK |
821.161.1.0 |
Index BBK |
83.3(2Рос=Рус)53 |
Abstract |
The article proposes ways to solve the problem of the specifics of acmeistic irony based on the material of Anna Akhmatova's early lyrics. In the early 1910s acmeists entered into an open dialogue with symbolists, offering a new artistic attitude and forms of its implementation in a poetic word. The acmeists opposed the "hopeless" irony of their predecessors, who realized the intractable conflict between the individual and the "collective". For Akhmatova, a dialogue with I. F. Annensky was important, in whose poetry the subject plan creates a symbolic paradigm and is a symbol of the tragic clutch of I and the Other. The irony in Akhmatova's work was initially due to such a basic feature of the poet's artistic thinking as a constant feeling of the possibility and even the need for a different view, a different point of view. The nature of this poetic phenomenon is thus dialogic and intersubject. Self-irony as an internal and external device of sharpening allows the poet to speak in a new way about a woman, her creative potential and the drama of her personal fate. Forms of irony are revealed through analysis of male and female masks of lyrical self, through images and motifs, complex subject organization of poems. The intersubject and dialogic nature of the heroine's experience opens the reader up the possibility of perceiving a lyrical event in several semantic perspectives (dramatic/tragic and ironic). Hidden irony is revealed by a holistic analysis of individual works. |
Keywords |
Symbolism, Acmeism, Irony, Anna Akhmatova, Dialogism, Subjective organization of the poem. |
References |
1 Broitman, S. N. Poetika russkoi klassicheskoi i neklassicheskoi liriki [ Poetics of Russian Classical and Non-classical Lyrics]. Moscow, RGGU Publ., 2008. 485 p. (In Russ.) 2 Zhirmunskii, V. M. Teoriia literatury. Poetika. Stilistika [Theory of Literature. Poetics. Stylistics]. Leningrad, Nauka Publ., 1977. 407 p. (In Russ.) 3 Ivanova, I. N. Tipologiia i evoliutsiia ironii v poezii russkogo modernizma (1890–1910 gody) [ Typology and Evolution of Irony in the Poetry of Russian Modernism (1890-1910): DSc Thesis, Summary]. Stavropol, 2006. 42 p. (In Russ.) 4 Kolobaeva, L. A. “Ironiia v lirike Innokentiia Annenskogo” [“Irony in the Lyrics of Innocent Annensky”]. Nauchnye doklady vysshei shkoly. Filologicheskie nauki, no. 6, 1977, pp. 21–30. (In Russ.) 5 Kormilov, S. I. “Akhmatovskii vzgliad izvne: stikhotvoreniia Anny Akhmatovoi, napisannye ot litsa muzhchiny” [“Akhmatova's Look from the Outside: Poems by Anna Akhmatova, Written on Behalf of a Man”]. Izvestiia Iuzhnogo federal'nogo universiteta. Filologicheskie nauki, no. 3, 2013, pp. 8–27. (In Russ.) 6 Lekmanov, O. A. “Nikolai Gumilev i akmeisticheskaia ironiia” [“Nikolay Gumilyov and Acmeistic Irony”]. Russkaia rech', no. 2, 1997, pp. 13–17. (In Russ.) 7 Losev, A. F. “Tragicheskoe” [“The Tragic”] Filosofskaia entsiklopediia [Philosophical Encyclopedia]. Moscow, Sovetskaia entsiklopediia Publ., vol. V, 1970, pp. 251–253. (In Russ.) 8 Nedobrovo, N. V. “Anna Akhmatova” [“Anna Akhmatova”]. Russkaia mysl', vol. VII, 1915. pp. 50–68. (In Russ.) 9 Oginskaia, O. “O poezii Anny Akhmatovoi” [“About the Poetry of Anna Akhmatova”]. Zhenskoe delo, no. 10, 1914, pp. 13–15. (In Russ.) 10 Runt, B. “Skorbnaia ulybka (O stikhakh Anny Akhmatovoi)” [“A Mournful Smile (About the Poems of Anna Akhmatova)”]. Zhenskoe delo, no. 9, 1914, pp. 11–12. (In Russ.) |
PDF-file |