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Title of the article: |
“INDIRECT SPEECH OF THE NON-MATERIAL”: HIEROGLYPH AND SYMBOL IN PHILOSOPHICAL AND AESTHETIC WORKS OF J. DRUSKIN |
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Author(s): |
Olesya R. Temirshina |
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Information about the author/authors |
Olesya R. Temirshina — DSc of Philology, Associate Professor, Professor, Russian State Social University, Wilhelm Pieck St. 4, bldg. 1, 129226, Moscow, Russia. |
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Section |
Philological sciences |
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Year |
2023 |
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Volume |
Vol. 70 |
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Pages |
pp. 173–188 |
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Received |
January 19, 2023 |
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Approved after reviewing |
May 13, 2023 |
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Date of publication |
December 25, 2023 |
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DOI: |
https://doi.org/10.37816/2073-9567-2023-70-173-188 |
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Index UDK |
82.01/.09 |
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Index BBK |
83 |
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Abstract |
The paper discusses the reconstruction of Druskin's ideas about hieroglyph as a sign of special ontological category with a projection on the philosophical and religious category of the symbol developed in the philosophy of A. F. Losev and P. Florensky. A comparison of a symbol and a hieroglyph showed the dependence of the organization of their semantics on ontology. Thus, the work proves that both the symbol and the hieroglyph, being derivatives of Christological concepts, are similar in structural and functional aspects. At the structural level, symbol and hieroglyph, removing the opposition between spiritual and the material, establish relations of asymmetric identity; at the functional level, symbol and hieroglyph allow to directly embody the logic of another being in one or another material substratum. The paper argues that the concept of Druskin's hieroglyph should be considered in terms of the concept of unilateral synthetic identity, which goes back to the Christian idea of the impossible alloy and inseparability. In this context, Druskin's hieroglyph models the Logos, associated not with the ontology of the incarnation of the spirit in matter, but with the actualization of spiritual meanings in the material of a work of art. |
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Keywords |
Symbol, Logos, Sign, Hieroglyph, Russian Philosophy, “Chinary”, Absurdity. |
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References |
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