Title of the article:

CULTURAL CODE IN THE SPACE OF MODERN MAN, RUSSIAN STYLE — ORIGINS OF DESIGN

Author(s):

Gerasimova, M.P., Alibekova, M.P., Belgorodsky, V.S. 

Information about the author/authors

Maria P. Gerasimova — Associate Professor, A.N. Kosygin Russian State University (Technology. Design. Art), Malaya Kaluzhskaya St., 1, 119071 Moscow, Russia.
ORCID ID: https://orcid.org/0009-0003-4436-077Х
E-mail: ger.m@mail.ru

Mariyat I. Alibekova — DSc in Arts, Associate Professor, Head of the Department of Special Composition and Art Graphics, A.N. Kosygin Russian State University (Technology. Design. Art), Malaya Kaluzhskaya St., 1, 119071 Moscow, Russia.
ORCID ID: https://orcid.org/0000-0003-2633-0174
E-mail: mariyat-alibekova@yandex.ru

Valery S. Belgorodsky — DSc in Sociology, Professor, Rector, A.N. Kosygin Russian State University (Technology. Design. Art), Malaya Kaluzhskaya St., 1, 119071 Moscow, Russia.
ORCID ID: https://orcid.org/0000-0001-7798-6742
E-mail: rector@rguk.ru

Section

History of Arts

Year

2024

Volume

Vol. 72

Pages

pp. 254–268

Received

December 07, 2023

Approved after reviewing

May 08, 2024

Date of publication

June 25, 2024

DOI:

https://doi.org/10.37816/2073-9567-2024-72-254-268

Index UDK

391(470):658.512.2

Index BBK

63.5стд1-426

Abstract

The study examines areas of modern design in which the traditions of Russian art are preserved — folk or national clothing, artistic crafts and analyzes ways of rethinking, transforming or using unchanged cut, ornament, painting, texture, related to the authentic characteristics and recognition of the Slavic or Russian style. The study relates to ways of preserving Russian traditions — in fashion, historical reconstruction, costume festivals and folklore groups. The paper provides links to the works of F.M. Parmon and showcases models of a collection of costumes from fashion shows and stage images by V.M. Zaitsev for folklore groups. The research highlights the works of some Russian and foreign clothing designers, inspired by examples of Russian art. The authors display examples of the use of paintings and decorative art in modern designer accessories, jewelry and household items and analyses the features of the approach to preserving historical samples — reconstruction, exact copying, repetition with minor differences or stylization as an authentic sample. The paper has studied approaches to the creation of modern accessories, involving the production of modern versions of original headdresses while maintaining the technological approach to manufacturing, yet with a slight variable change in shape and design. The study issued in thorough consideration of almost all existing options for the presence of Russian art in an unchanged or transformed form in the space of modern man.

Keywords

Russian Art, Cultural Code, Folklore, Traditions, Modernity, Cut, Ornament, Embroidery, Arts and Crafts, Paintings, Design.

Reference

References

1 Alibekova, M.I., Belgorodskii, V.S. Andreeva, E.G., Getmantseva, V.V. “Apsaikling i resaikling kak sposob realizatsii dizainerskoi kontseptsii v khudozhestvennom proektirovanii kostiuma” [“Upcycling and Recycling as a Way to Implement Design Concept in the Artistic Design of a Costume”]. Izvestiia vysshikh uchebnykh zavedenii. Tekhnologiia tekstil'noi promyshlennosti, no. 1 (397), 2022, pp. 305–310. (In Russ.)

2 Efimova, L.V. Russkii narodnyi kostium [Russian Folk Costume]. Moscow, Sovetskaia Rossiia, 1998. 312 p. (In Russ.)

3 Zhabreva, A.E. Pis'mennye i izobrazitel'nye istochniki po istorii russkogo kostiuma XI–XVII vekov [Written and Pictorial Sources on the History of Russian Costume of the 11–17 Centuries]. St. Petersburg, Library of the Russian Academy of Sciences Publ.; Peterburgskoe Vostokovedenie Publ., 2016. 480 p. (In Russ.)

4 Zaitsev, V.M. Moda. Moi dom [Fashion. My House]. Moscow, AST Publ., 2017. 304 p. (In Russ.)

5 Parmon, F.M. Russkii narodnyi kostium kak khudozhestvenno-konstruktorskii istochnik tvorchestva. Monografiia [Russian Folk Costume as an Artistic and Design Source of Creativity. Monograph]. 4th ed. Moscow, V. Shevchuk Publ., 2022. 272 p. (In Russ.)

6 Parmon, F.M. Kompozitsiia kostiuma, Odezhda, obuv', aksessuary: uchebnik dlia vuzov [Costume Composition, Clothes, Shoes, Accessories: Textbook for Universities]. Moscow, Legprombytizdat Publ., 1997. 264 p. (In Russ.)

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