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Title of the article: |
CULTURAL CODE IN THE SPACE OF MODERN MAN, RUSSIAN STYLE — ORIGINS OF DESIGN |
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Author(s): |
Gerasimova, M.P., Alibekova, M.P., Belgorodsky, V.S. |
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Information about the author/authors |
Maria P. Gerasimova — Associate Professor, A.N. Kosygin Russian State University (Technology. Design. Art), Malaya Kaluzhskaya St., 1, 119071 Moscow, Russia. |
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Section |
History of Arts |
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Year |
2024 |
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Volume |
Vol. 72 |
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Pages |
pp. 254–268 |
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Received |
December 07, 2023 |
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Approved after reviewing |
May 08, 2024 |
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Date of publication |
June 25, 2024 |
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DOI: |
https://doi.org/10.37816/2073-9567-2024-72-254-268 |
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Index UDK |
391(470):658.512.2 |
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Index BBK |
63.5стд1-426 |
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Abstract |
The study examines areas of modern design in which the traditions of Russian art are preserved — folk or national clothing, artistic crafts and analyzes ways of rethinking, transforming or using unchanged cut, ornament, painting, texture, related to the authentic characteristics and recognition of the Slavic or Russian style. The study relates to ways of preserving Russian traditions — in fashion, historical reconstruction, costume festivals and folklore groups. The paper provides links to the works of F.M. Parmon and showcases models of a collection of costumes from fashion shows and stage images by V.M. Zaitsev for folklore groups. The research highlights the works of some Russian and foreign clothing designers, inspired by examples of Russian art. The authors display examples of the use of paintings and decorative art in modern designer accessories, jewelry and household items and analyses the features of the approach to preserving historical samples — reconstruction, exact copying, repetition with minor differences or stylization as an authentic sample. The paper has studied approaches to the creation of modern accessories, involving the production of modern versions of original headdresses while maintaining the technological approach to manufacturing, yet with a slight variable change in shape and design. The study issued in thorough consideration of almost all existing options for the presence of Russian art in an unchanged or transformed form in the space of modern man. |
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Keywords |
Russian Art, Cultural Code, Folklore, Traditions, Modernity, Cut, Ornament, Embroidery, Arts and Crafts, Paintings, Design. |
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Reference |
References 1 Alibekova, M.I., Belgorodskii, V.S. Andreeva, E.G., Getmantseva, V.V. “Apsaikling i resaikling kak sposob realizatsii dizainerskoi kontseptsii v khudozhestvennom proektirovanii kostiuma” [“Upcycling and Recycling as a Way to Implement Design Concept in the Artistic Design of a Costume”]. Izvestiia vysshikh uchebnykh zavedenii. Tekhnologiia tekstil'noi promyshlennosti, no. 1 (397), 2022, pp. 305–310. (In Russ.) 2 Efimova, L.V. Russkii narodnyi kostium [Russian Folk Costume]. Moscow, Sovetskaia Rossiia, 1998. 312 p. (In Russ.) 3 Zhabreva, A.E. Pis'mennye i izobrazitel'nye istochniki po istorii russkogo kostiuma XI–XVII vekov [Written and Pictorial Sources on the History of Russian Costume of the 11–17 Centuries]. St. Petersburg, Library of the Russian Academy of Sciences Publ.; Peterburgskoe Vostokovedenie Publ., 2016. 480 p. (In Russ.) 4 Zaitsev, V.M. Moda. Moi dom [Fashion. My House]. Moscow, AST Publ., 2017. 304 p. (In Russ.) 5 Parmon, F.M. Russkii narodnyi kostium kak khudozhestvenno-konstruktorskii istochnik tvorchestva. Monografiia [Russian Folk Costume as an Artistic and Design Source of Creativity. Monograph]. 4th ed. Moscow, V. Shevchuk Publ., 2022. 272 p. (In Russ.) 6 Parmon, F.M. Kompozitsiia kostiuma, Odezhda, obuv', aksessuary: uchebnik dlia vuzov [Costume Composition, Clothes, Shoes, Accessories: Textbook for Universities]. Moscow, Legprombytizdat Publ., 1997. 264 p. (In Russ.) |
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