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Title of the article: |
TADEUSZ ROZEWICZ — THE POET IN DRAMA |
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Author(s): |
Lidia N. Dmitrievskaya |
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Information about the author/authors |
Lidia N. Dmitrievskaya — DSc in Philology, Associate Professor, Maksim Gorky Institute of Literature and Creative Writing, 25, Tverskoy Blvd., 123104 Moscow, Russia. |
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Section |
Philological sciences |
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Year |
2023 |
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Volume |
Vol. 68 |
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Pages |
pp. 225–234 |
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Received |
May 23, 2022 |
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Approved after reviewing |
September 1, 2022 |
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Date of publication |
June 28, 2023 |
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DOI: |
https://doi.org/10.37816/2073-9567-2023-68-225-234 |
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Index UDK |
821.162.1 |
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Index BBK |
83.3(4) |
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Abstract |
The Polish writer Tadeusz Różewicz brings together lyrics and drama in his plays. This feature of his work has already been noted by previous researchers. The paper sets the task of understanding how and for what purpose the combination of lyrics and drama occurs in Różewicz's plays “The card-index” (1959), “Funny old man” (1965), “An Old Woman Hatches” (1968). The methods of the poetic in Różewicz's dramaturgy are diverse: the conflict, taken into the subconscious of the hero; internal, hidden content that dominates the external action and plot; the abundance of images-symbols, allusions, reminiscences, on which the subtext of the drama is based; frequent and sometimes obsessive repetitions that create a certain rhythm in the lines, etc. In the play “Card File”, the means of a lyrical kind of literature help the playwright to understand an ordinary, average, devastated person. Poetic images-symbols become the basis for Różewicz's plotless plays. The poeticization of drama gives the playwright the opportunity to bring inner world of a person to the stage, make the author's voice more independent and connect the viewer and reader to reflection on the key conflicts and problems of the world. Różewicz's plays are considered absurd, although most often there is no case of absurdity, since they are built according to the laws of the lyrical kind of literature. |
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Keywords |
Tadeusz Różewicz, Drama, Poeticisation of Drama, Intertextuality, Image-symbol, Image-metaphor, Poetic Form. |
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References |
1 Potebnya, A. A. Mysl' i yazyk [Thought and Language]. Moscow, Labyrinth Publ., 2007. 256 p. (In Russ.) 2 Sanaeva, G. N. “Intergratsiia liriki i dramaturgii v tvorchestve Tadeusha Ruzhevicha” [“Integration of Lyrics and Dramaturgy in the Work of Tadeusz Ruzewicz”]. Shevchenkivs'ka vesna. 2006, issue IV, part 1, pp. 412–414. (In Russ.) 3 Sanaeva, G. N. “Krizis sovremennoĭ kul'tury v tvorchestve Tadeusha Ruzhevicha” [“The Crisis of Modern Culture in the Work of Tadeusz Ruzewicz”]. Vestnik Cheliabinskogo gosudarstvennogo universiteta, no. 27 (165), 2009, Series: Filologiia. Iskusstvovedenie [Philology. Art History], issue 34. pp. 131–134. (In Russ.) 4 Sanaeva, G. N. Poetika dramaturgii Tadeusha Ruzhevicha [Poetics of Dramaturgy by Tadeusz Ruzewicz: PhD Thesis Summary]. Moscow, 2009. 24 p. (In Russ.) 5 Khorev, V. A. Pol'skaia literatura XX veka. 1890–1990 [Polish Literature of the 20th Century. 1890–1990]. Moscow, Indrik Publ., 2009. 352 p. (In Russ.) |
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