Title of the article:

“GLORIOUSLY THE LORD EXALTED HIS FAITHFUL SERVANT”: MIRACLES IN THE COMPOSITION OF “THE HAGIOGRAPHY OF MIKHAIL YAROSLAVICH TVERSKOY”

Author(s):

Ekaterina A. Andreeva

Information about the author/authors

Ekaterina A. Andreeva — PhD in Philology, Senior Researcher, A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, Povarskaya St., 25A, bld. 1, 121069 Moscow, Russia.

ORСID ID: https://orcid.org/0000-0002-8829-3084

E-mail: aaa46aaa@yandex.ru

Section

Philological sciences

Year

2024

Volume

Vol. 71

Pages

pp. 191–198

Received

February 28, 2023

Approved after reviewing

May 15, 2023

Date of publication

March 25, 2024

DOI:

https://doi.org/10.37816/2073-9567-2024-71-191-198

Index UDK

821.161.01.0

Index BBK

83.3 (2Рос=Рус)4

Abstract

The paper examines the functioning of a symbolic microgenre as part of an Old Russian literary work of the 14 century — “The hagiography of Mikhail Yaroslavich Tverskoy”. Among the miracles presented in the text only one is intravital, all the rest are posthumous. They are arranged in a chain of successive episodes, united ideologically, thematically and by the object of the image. Most posthumous miracles happened when the murdered prince`s body has been moved from the Horde to Tver, mostly on the foreign territory. Therefore the purpose of their inclusion in the hagiography may be the desire to affirm the holiness of Mikhail Tverskoy and to convince his enemies and people who do not believe in his righteousness. Among the common and familiar miraculous motifs are the following: a body untouched by wild animals, a pillar of fire and a glow over the body, incorruptible relics. Besides the miracles which are performed directly over the relics and with the relics, unusual situations that cannot be rationally explained may also be considered as miracles. The author of the text, without being a direct witness of miraculous events, basing on eyewitness accounts retells them in detail, sometimes with explanations. Despite references to early Old Russian literary works and the use of familiar topos, the author of “The hagiography of Mikhail Yaroslavich Tverskoy”, thanks to the inclusion of miracles, manages to achieve a high degree of persuasiveness, to reveal his plan and reflect his assessment of what was happening in the Horde.

Keywords

Micro Genre, Miracle, Posthumous Miracles, Hagyigraphy, Pillar of Fire, Glow.

References

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2 Bondar', K. “Poetika zhitiinykh opisanii ‘chuda’ (po dannym vostochnoslavianskikh srednevekovykh tekstov)” [“Poetics of Hagiographic Descriptions of the ‘Miracle’ (according to the East Slavic Medieval Texts)”]. Kontsept chuda v slavianskoi i evreiskoi kul'turnoi traditsii: sbornik [The Concept of Miracle in Slavic and Jewish Cultural Traditions: Collection of Papers], ed. by O.V. Belova. Moscow, Probel Publ., 2001, pp. 44–51. (In Russ.)

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4 Ranchin, A.M. “Ognennyi stolp v drevnerusskoi agiografii: vetkho- i novozavetnye istoki” [“The Pillar of Fire in Ancient Russian Hagiography: Old and New Testament Origins”]. Vertograd Zlatoslovnyi [Zlatoslavny Vertograd]. Moscow, Novoe literaturnoe obozrenie Publ., 2007, pp. 128–133. (In Russ.)

5 Rudi, T.R. “‘Iako stolp nekolebim’ (ob odnom agiograficheskom topose)” [“‘Like a Pillar is Unshakable’ (about One Hagiographic Topos)”]. Trudy otdela drevnerusskoi literatury [Proceedings of the Department of Old Russian Literature]. St. Petersburg, Dmitrii Bulanin Publ., 2004, vol. 55, pp. 211–227. (In Russ.)

6 Starodumov, I.V. Zhanrovaia spetsifika povestvovanii o posmertnykh chudesakh sviatykh podvizhnikov v sostave drevnerusskoi agiografii [Genre Specificity of Narratives about the Posthumous Miracles of the Holy Ascetics as Part of the Old Russian Hagiography: PhD Thesis Summary]. Omsk, 2009. 20 p. (In Russ.)

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