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Title of the article: |
WORKS OF POLISH ARTISTS AS А PART OF SLAVIC CULTURE |
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Author(s): |
Victor D. Uvarov |
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Information about the author/authors |
Victor Dmitrievich Uvarov — DSc in Arts, Professor, A. N. Kosygin Russian State University, Sadovnicheskaya St., 33, p. 1, 117997 Moscow, Russia. E-mail: artuwaroff@yandex.ru |
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Section |
History of Arts |
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Year |
2018 |
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Volume |
Vol. 50 |
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Pages |
pp. 266–273 |
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Received |
April 15, 2018 |
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Date of publication |
December 28, 2018 |
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Index UDK |
745.52 + 746.1 |
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Index BBK |
85.103(4Пол) |
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Abstract |
The specificity of the author's approach involves an attempt to study the works of Polish artists representing the Slavic people and Slavic culture. Interior design using tapisserie and basing on general patterns of development of the world art process from traditionalism to modernity is inextricably linked with architecture. Polish masters excelled in this regard. The paper addresses the works of such Polish artists of tapestry as Magdalena Аbakanowicz, M. Antoszewska-Moneta, Zbigniew Szalay, Alexander Manchak, Emilia Domanska, Iolanta Rudskoy-Hubisak, Christina Misak, Casimir Frimark-Blaczik, Andrzej Reich, Dorota Grinczel featured at major international textile exhibitions. |
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Keywords |
Art textiles, tapisserie, tapestry, hand weaving, installation, environment, interior design. |
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References |
1 Constantine M., Larsen J-L., Beyoud Craft: The art fabric. New York, Van Nostrand Reinhold Co. Publ., 1973. 304 p. (In English) 2 Savickaja V. I. Prevrashhenie shpalery [The transformation of the tapestry]. Moscow, Galart Publ., 1995. 86 p. (In Russian) 3 Uvarov V. D. Avtorskaja tapisserija [Author`s tapestry]. Moscow, Izdatel'stvo A. N. Kosygin`s MGTU Publ., 2010. 325 p. (In Russian) 4 Uvarov V. D. Poiski plasticheskih reshenij v prostranstvennoj tapisserii Pol'shi [Search of plastic solutions in the spatial tapestry of Poland]. Pol'skaja kul'tura v zerkale vekov [Polish culture in the mirror of centuries]. Moscow, Materik Publ., 2007, pp. 642–659. (In Russian) 5 Uvarov V. D. Problema jesteticheskoj organizacii predmetno- prostranstvennoj sredy inter'era [The issue of aesthetic organization of the subject-spatial environment of the interior]. Dekorativnoe iskusstvo i predmetno-prostranstvennaja sreda [Decorative arts and subject-spatial environment]. Vestnik MGHPA, 2016, no 2, part 1, pp. 10–12. (In Russian) 6 Uvarov V. D. Sobytija vsemirnoj istorii v iskusstve tapisserii 19–20 vv. [Events of the world history in the art of tapestry of the 19–20 cs.] Evropejskoe iskusstvo 19–20 vv. Istoricheskie vzaimosvjazi [European art of the 19–20 cs. Historical relationships], ed.-comp. by I. V. Popova, I. E. Svetlov. Moscow, Izdatel'stvo GII Publ., 1998, 7 Uvarov V. D. Tapisserija kak “model'” obshhih zakonomernostej razvitija mirovogo iskusstva [Tapestry as a “model” of general laws of the world art development]. Dizajn i tehnologii, 2017, no 59 (101), pp. 22–29. (In Russian) 8 Uvarov V. D. Tekstil'nye Triennale v Lodzi. [Textile Triennial exhibitions in Lodz]. Dekorativnoe iskusstvo, 2003, no 3–4, pp. 55–58. (In Russian) 9 Uvarov V. D., Reshetova M. V., Murashkin I. S. Informacionnyj vzryv i novye tehnologii v prelomlenii garmonizujushhih sredstv dizajna (tapisserija i akcidentnyj shrift) [Information explosion and new technologies in terms of design harmonizing means (tapestry and random typeface) ]. Dizajn i tehnologii, 2018, no 62 (104), pp. 114–121. (In Russian) 10 Cvetkova N. N. Iskusstvo ruchnogo tkachestva [The art of hand weaving]. Moscow, SPbKO Publ., 2016. 280 p. (In Russian) |
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